My company, Full English Post, works on all sorts of audio projects including TV shows, films, commercials, documentaries, and podcasts. I produce, record, edit, and mix the Mixmag On Rotation weekly podcast, which keeps me on my toes to yield quick turnarounds and a well-produced product.
Many microphones also feature built-in “roll off” switches, which filter out unused bass frequencies to prevent unwanted noise. Another common feature is a pad, which lowers the input volume of the microphone. This can be very useful when dealing with particularly boisterous speakers who tend to clip the microphone even at low gain levels.
The short answer is: I don’t. I grade for effort, in a very coarse-grained way. If the student completes the project, following all the guidelines and requirements, they get full credit, regardless of the quality of the resulting music. (My assignment guidelines are always technical in nature; I don’t put any restrictions on musical style.) If students don’t follow the guidelines and requirements, or hand the assignment in late, or obviously half-ass it, I deduct points accordingly. I don’t give any consideration to the music itself when grading because then I’d just be grading on how closely the student’s musical taste is to mine, which would be arbitrary and unfair.
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It’s also a good idea to think about the role 808s typically fill in your sub-genre. In trap music, they function as the bass line following the kick. In some other sub-genres, like reggaeton, they might just be used for one hit to create a massive downbeat at the start of the cycle.
Modes and Key Signatures have a variety of different characteristics and are great for outside-the-box songwriting. Here’s a cheat sheet to remember them!
Since the housing bubble burst in 2008, banks are skittish about lending money to nontraditional earners like songwriters, here’s how you can beat them.
Using the guitar fretboard as a template, music theorist Dean Olivet has redesigned harmonic notation in a colorful, intuitive methodology for learning.
One of the first things you need to decide before purchasing a microphone for podcasting is what type of mic you should get: USB or XLR. In most cases, USB microphones have comparable sound quality to their XLR counterparts. The difference is in the way they capture sound.
Grants for artists of color
With a robust membership of over 725,000 composers, ASCAP is the only American PRO owned and operated by its members. It distributed $1.109 billion in royalties in 2018.
Why do some songs tug on our heartstrings while others fall flat? Conveying moods and emotions is a key element of making great music, and doing it well requires a deep understanding of chords and harmony. It’s what allows modern music producers and songwriters to convey a sense of danger, triumph, or melancholy.
Hold onto your hats! This work by Turkish composer and pianist Fazil Say is no easy listen. It’s unique, original, texturally dense, and features some heavy theremin! Wrestling with the following four questions, the piece’s inspiration is far from light-hearted: 1) What was there before the Big Bang — space, clouds of dust? 2) The universe is expanding, but in what direction and towards what? 3) Are there other lives in the universe and throughout the galaxies? 4) Is there a God?
Vocal effects may be added before or after you record. You can add these by using a combination of the sound effects in Logic’s library, and pressing the audio effects button.
For my first serious remix, I thought I would take on Childish Gambino’s “This Is America.” I have the a cappella and the instrumental, and it feels like a timely song. I put the instrumental on one deck and the a cappella on the other, and did my best to improvise a mix in real time.