Music is revolution foundation

Funnily, his music also set off debates across Europe about the new “trend” towards effeminate, sentimental, and “cowardly” music! Despite its popularity, people were worried composers were taking the modern opera in feminine directions. And perhaps to make matters worse, Queen Marie Antoinette rather loved his work and invited him to Paris to compose for the Academie Royale de Musique. We won’t go into the competitive “compose off” between he and Christof Gluck, but it is rather humorous that he had half of Paris up in arms about whether they’d support his music or his rival’s and declare themselves as either a Piccinnist or a Gluckist.

I started to experiment with some of the horn samples in the pack and, though I didn’t end up using any, they gave me the idea to feature a trumpet player. I immediately thought of my friend and frequent collaborator, Jake Baldwin. I met Jake in Boston in 2010 while I was at Berklee and he was down the street studying at NEC. We started making music together right away in our New York-based hip-hop collective, Tiger Speak, but in recent years, we’ve both relocated to other cities.

With overwhelmingly positive results, we’re happy to share a few testimonials of Soundfly’s Orchestration For Strings course directly from our students.

Cche grant

“I worked with Jeff in earlier sessions of Introduction to the Composer’s Craft and the Headliners Club. He has a beautiful perspective and really seems to look at his music from multiple angles. In addition to writing music, Jeff is a gifted photographer, and that comes through when you listen to his work. In the composition course, we discussed the foundations of writing music — things like form, tonality, etc., and then went on to develop his artistic voice during a follow-up session of the Headliners Club.

In this OpEd from a former Soundfly student, we explore the effective active learning approaches key to getting the most out of any learning experience.

The Cardigans’ “Lovefool”’ is one of my favorite songs of all time. It features such a fun bass line, and you can’t help but sing along to that top-line. But the lyrics are begging someone to love them back. All of Lizzo’s lyrics are about her not giving a f*#k about someone loving her back because all that matters is that she loves herself. That’s a message that resonates with me more now for sure.

Again this element can be taken as lightly or seriously as you want — from t-shirts and jeans to tuxedos to fully customized outfits, masks, wigs, props, etc. — but it’s always something you need to be aware of. A small bit of effort, like for example, synchronizing your dress code with the rest of the band, can go a long way.

As soon as I started to scope it out, I very quickly realized that it would be even better if I could build a tool that would allow my clients to create their own playlists — let them be in charge of their music journey.

Instrument donation request

With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.

Once you decide whether you’ll be using a USB or XLR, choosing the right mic all comes down to features. The most important feature of a podcasting microphone is the polar pattern. Polar patterns pick up what a microphone can “hear.” Some microphones have a fixed polar pattern, while others can select between multiple patterns.

Explore Soundfly’s wide array of free online courses and expand your musical skills over your lunch break! Here’s just a few free courses you can choose from: How to Create a Killer Musician Website, Touring on a Shoestring, Music Theory for Bedroom Producers, and How to Get All the Royalties You Never Knew Existed. 

Soundfly is a new kind of music school for today’s musician. We create creative courses and daily articles for the curious musician. Meet the whole Soundfly Team here.

I’ll let you in on an industry secret: Most voiceovers you hear on adverts, movies, and TV shows have been recorded by a pro voiceover talent from their home. How do I know this? Because I’ve personally set up a substantial amount of the country’s top voiceover talents’ studios in New York City over the last ten years. Unless you want to build a booth in a spare room (which I would recommend but it can get pricey), it’s usually easier and cheaper to use the tools you already have.