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Is there anything more iconic than Prince singing “Purple Rain” in the rain, at Super Bowl XLI?!! Not for the Soundfly staff! It was a rainy day, anyway, but when someone from the Super Bowl entertainment staff asked Prince if he was okay playing in the rain, his response was, “Can you make it rain harder?”

Hailing from South Africa, Sulene is a multi-instrumentalist, artist, producer, and composer who you’ve likely seen or heard before, whether you know it or not. You may have witnessed her blue hair lighting up late-night TV when she’s toured the world as Nate Ruess of fun.’s guitarist. You’ve probably heard her music scoring your favorite Showtime drama, Al Pacino movie, or Verizon commercial. You may even know her as the rocker chick avatar shredding on Rock Band VR.

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Before we move deeper into our analysis of this track, take another good look at the image above. Those are all the diatonic triads built on top of the scale tones of E♭ major. If this is new to you, I strongly suggest playing these chords on your chosen instrument. See if you can hear the relationship between each chord.

We asked five audio producers, engineers, and composers to tell us how they use Logic Pro specifically in their professional work. Check out their answers!

We also get a glimpse into the assumed social life of this band (which, if it is just a bunch of their friends partying, that’s a great way to save money on actors!).

We are conditioned to think that great vocalists are just born that way — “gifted,” “blessed,” and we wonder if we were given those gifts too… Really? No. Shut up. Try to remember that this is not true. You need to put the work in if you want to be great. It starts with getting yourself a good vocal coach.

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The odd timing, as the sequence starts on the “4” beat of the end of the solo, instead of the expected “1” beat, catches the ear off guard and adds to the mystical feel of this little interlude. The icing on the cake can be tasted when the bass doubles the notes from octaves below it — though at the start of the third octave, Jones dips back to the third below it, and finishes his last arpeggio back at the top of the second octave, instead of continuing on to the top of the third with Page. It’s a wise decision, as the widening gap in pitches helps accentuate the guitar’s rise to its zenith. It’s yet another classic example of Jones’ flashy but never overdone playing.

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Logic makes it really easy to set your tempo and time signature. If you look in the top toolbar, you will see a black box with a list including Key, Tempo, and Time Signature.

Modes and Key Signatures have a variety of different characteristics and are great for outside-the-box songwriting. Here’s a cheat sheet to remember them!

In fact, any one item can be a costume: a funky, customized necklace, a big, bold hat, or even some sort of prop that helps you get into character on stage and channel a new identity. The one important thing to keep in mind is how everyone on stage interacts together visually; it’s essential to be unified somehow. If you have one person showing up in a suit, another dressed like a punk, and another wearing a neon bodysuit all you’ll be saying is that you don’t know what to say.