When it comes to music “now,” it all depends on who and what we’re talking about. The stuff that gets advertised on harshly illuminated screens down on L Train platforms? The bands involved in what that Pitchfork describes as “the most important stories in music?” Spotify Playlists for the gym? The Bang On a Can Allstars? Generally, I mistrust these things, because I don’t see them making any attempts to use music’s great power to snap people out of the general stupor of malaise that seems to be a symptom of living in our times.
Both the principle producer, Tarik “Cilvaringz” Azzougarh, and the group have gone to great lengths to make sure no leaks are possible. Firstly, and courageously, they recorded everyone’s tracks to bpm-synced substitute beats (the performers hadn’t even heard the final beats until the record was mixed), deleted the source tracks and final mixes from all known hard-drives, and hid the album in a number of secure institutional locations around the world.