Terra exhibition grants

And what about that surprise at 3:51? More of that 2018 jazzy major-9 business followed by a frigging VII chord (E♭), which I kind of hear as an augmented 6th chord. Yes, I said “augmented 6th chord” in an article about Top 40 music in 2018 — pick your face up off the floor.

Chorus impact accentuators, often abbreviated to “CIAs,” is a term that’s still fairly new in this category — whether people know about it at all yet — but it keeps popping up more and more nowadays. Simply put, chorus impact accentuators are any element in a production that makes the chorus more impactful and powerful. That can be a reversed crash cymbal sample that flares up and preps our ears for a drop, or even a half a measure of complete silence leading up to the chorus, making its arrival all the more epic.

I love this quote from one of my favorite songwriters. Have you ever heard a song that captures exactly what you’re feeling? A song that makes you say, “YES! That’s exactly it, I just wasn’t able to express it myself!” Well, my friends, that’s one of the many joys of songwriting. So yes, you have a responsibility to help others with your words and melodies. Some days you might feel like you’re not helping anyone, but remember: The world needs the magic of music. And if musicians didn’t exist, we would never have that feeling of catharsis. And I don’t want to live in that world.

Hip hop music grants

Fundamentally, the more you study other artists, the more you’ll develop your own taste and palette. No one can explain how good lyrics work, but over time you’ll develop a deep, intuitive sense to guide your writing.

Tim Maryon is an Soundfly Mentor, an award-winning composer, and film scorer. He has an MA in film scoring from the Royal College of Music, and has written music for documentaries for the BBC, scored animations for BFI, and worked with major brands. His original works have been performed all over Europe. You can read more about him and hear his music here. Want to work with Tim on your project? Fill out this form to tell us about your musical goals and be sure to mention his name in your response!

+ Learn the ins and outs of pro songwriting with Soundfly’s variety of mentored online courses, such as The New Songwriter’s Workshop, Songwriting for Producers, and Unlocking the Emotional Power of Chords. 

And so, with our eleventh edition of the Student Spotlight series, highlighting the brilliant work of Soundfly alumni created in our courses and Headliners Club mentorship sessions, we humbly offer up some new music for your favorite summer playlist.

Imagine you have a synth bass line that’s a combination of a sine and a saw wave instrument. You like the vibe, but when you turn them both up you aren’t feeling the fatness. That’s likely because the low frequencies of the combined signal are suffering from destructive interference.

Old school rappers 2000

In case you’re new to Soundfly, every one of our mentored online courses comes with ongoing 1-on-1 guidance and feedback on your work from a professional musician, composer, producer, singing actor, or industry insider working in the field. It’s like having a personal trainer, but for music! As you make your way through the high-quality, in-depth course materials, your Soundfly Mentor will help you work out your musical goals and keep you on pace to reaching them, every step of the way.

Explore our wide array of free online courses, and expand your musical skills and gain a competitive edge! Here’s just a few:Theory for Bedroom Producers,How to Get All the Royalties You Never Knew Existed,Crowdfunding for Musicians and Touring on a Shoestring.

The Arctic Monkeys’ video is highly engaging and memorable. The song is about a one-night stand, and while the video portrays the same concept, it’s framed in a new, creative way. The whole video involves one camera and two actors, and proves that an inexpensive music video can be a success with a truly well-considered, compelling story.

With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.

Reverbs come in many shapes and sizes, but a good rule of thumb is to use shorter reverbs like rooms and plates for more upbeat songs, and longer reverbs like halls for slower ballads. Most reverbs and delays can be synced to the tempo of the track, allowing you to dial in just the right amount of decay. Try setting the decay time so the effect fades away just before the next phrase begins.